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Sculpture Is Process and Transformation

“Sculpture is a manifesto of fascination with material. It is a story about process. An embodiment of interdisciplinary exploration shaped into form. Sculpture is about discovering and engaging with metal. It is about stabilising steel structures and seeing oneself reflected in their polished surfaces. Sculpture is process. Sculpture is transformation.”

Wir, 2017, H: 24 m | 945”

Nawa, 2019, 9 m | 354", Mies Van Der Roche Prize Nomination

Interferences, 2025, H: 4,9 m | 192"

Hempel, 2025, H: 8,3 m | 327”

Kraken, 2021, L: 12,5 m | 492”

Generations, 2023, H: 6,7 m | 264”

Whispers Object, 2026, ø 2,5 m | 98"

Aorta, 2019, H: 125 cm | 49”

Crystals Pavilion, 2025, H: 3,5 m | 137"

Blow and roll, 2010, H: 3 m | 118”

Koniczyna, 2018,H: 5,6 m | 220”

Crystal Totem, 2018, H: 6,7 m | 264”

Whispers, 2025, H: 2,9 m | 114"

Trzepaki, 2023, H: varias alturas y tamaños

Urban Crystals, 2019, H: 4,4-3,6 m | 173”-141”

Cyclops, 2013, H: 1 m | 39”

Fingerprint, 2020, H: 3 m | 118”

Firefly, 2017, H: 6 m | 236”

Tajdo, 2017, H: 3,7 m | 146”

Kolumna, 2020, H: 4 m | 157”

Tangle, W: 3 m | 118”

Re: KOLO H: 1,5 m | 59”

Re: PANEL H: 2,5 m | 98”

Nucleus, 2017, Ø 6 m | 236”

Antropod, 2016, H: 1,7 m | 67”

Łezka, 2020, H: 48 cm | 19”

Cave, 2020, H: 60 cm | 24”

Axis 2019, H: 10 m | 394”

Concept Space, 2013. H 4 m | 157”

Seahorse, 2006 H: 2 m | 79”

Nymph H: 2 m | 79”

Sail, 2017, H: 2 m | 79”

Spire, 2016, H: 40 cm | 16”